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The nomadic object
Authors: ---
ISBN: 9789004354326 9004354328 9789004354500 9004354506 Year: 2018 Volume: 53 Publisher: Leiden Boston

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Abstract

At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Županov.


Book
Religious materiality in the early modern world
Authors: --- ---
ISBN: 9789462984653 9462984657 9462984654 9789048535422 9048535425 Year: 2019 Publisher: Amsterdam : Amsterdam University Press,

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This collection of essays offers a comparative perspective on religious materiality across the early modern world. Setting out from the premise that artefacts can provide material evidence of the nature of early modern religious practices and beliefs, the volume tests and challenges conventional narratives of change based on textual sources. Religious Materiality in the Early Modern World brings together scholars of Catholic, Protestant, Jewish, Islamic and Buddhist practices from a range of fields, including history, art history, museum curatorship and social anthropology. The result is an unprecedented account of the wealth and diversity of devotional objects and environments, with a strong emphasis on cultural encounters, connections and exchanges.


Book
Pottery, Pavements, and Paradise: Iconographic and Textual Studies on Late Antiquity
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ISBN: 9789004255388 9004255389 9789004256934 9004256938 1299989039 Year: 2013 Volume: 122 Publisher: Brill

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These essays on late antiquity traverse a territory in which Christian and pagan imagery and practices compete, coexist, and intermingle. The iconography of the most significant late antique ceramic, African Red Slip Ware, is an important and relatively unexploited vehicle for documenting the diversity and interpenetration of late antique cultures. Literary texts and art in other media, particularly mosaics, provide imagery that complement and enhance the messages of the ceramics. Popular entertainments, pagan cults, mythic heroes, beasts, monsters, and biblical visions are themes dealt with on the patrician and popular levels. With interpretive supplements from these diverse realms, it is possible to achieve greater insight into the life, attitudes, and thought of Late Antiquity.


Book
Living Water: Images, Symbols, and Settings of Early Christian Baptism
Author:
ISSN: 0920623X ISBN: 9789004188983 9004188983 9786613119971 9004189084 1283119978 9789004189089 9781283119979 Year: 2011 Volume: 105 Publisher: Brill

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This general survey of early Christian baptismal iconography and architecture integrates visual depictions and physical settings of baptism with textual evidence for its practice and purpose. An opening overview of pictorial art (paintings, relief sculpture, mosaics, and ivories) prompts questions about components of the actual ritual which are treated in the literary sources. The study’s second half considers selected baptismal structures, examining the symbolism, purpose, and possible meaning of their spatial design and decorative programs. In most instances the synthesis of documentary and material evidence is enriching and complementary. However, even when physical and textual data diverge, their discontinuity demonstrates the variability of ritual performance and the perennial distinction between ideal and actual practice..


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Envisioning Howard Finster : The Religion and Art of a Stranger from Another World
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ISBN: 0520961072 9780520961074 Year: 2015 Publisher: Berkeley, CA : University of California Press,

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The Reverend Howard Finster (1916-2001) was called the "backwoods William Blake" and the "Andy Warhol of the South," and he is considered the godfather of contemporary American folk and visionary art. This book is the first interpretive analysis of the intertwined artistic and religious significance of Finster's work within the context of the American "outsider art" tradition. Finster began preaching as a teenager in the South in the 1930s. But it was not until he received a revelation from God at the age of sixty that he began to make sacred art. A modern-day Noah who saw his art as a religious crusade to save the world before it was too late, Finster worked around the clock, often subsisting on a diet of peanut butter and instant coffee. He spent the last years of his life feverishly creating his environmental artwork called Paradise Garden and what would ultimately number almost fifty thousand works of "bad and nasty art." This was visionary work that obsessively combined images and text and featured apocalyptic biblical imagery, flying saucers from outer space, and popular cultural icons such as Elvis Presley, Marilyn Monroe, Henry Ford, Mona Lisa, and George Washington. In the 1980s and 90s, he developed cult celebrity status, and he appeared in the Venice Biennale and on the Tonight Show. His work graced the album covers of bands such as R.E.M. and Talking Heads. This book explores the life and religious-artistic significance of Finster and his work from the personal perspective of religion scholar Norman Girardot, friend to Finster and his family during the later years of the artist's life.  


Book
L'art sacré au XXe siècle en France
Authors: --- ---
ISBN: 290852841X 9782908528411 Year: 1993 Publisher: Thonon-les Bains Albaron


Book
The 13th-Century Church at St.-Denis
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ISBN: 0300031904 Year: 1985 Publisher: New Haven (Conn.) Yale university

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The magnificent abbey church of St-Denis, rebuilt during the reign of King Louis IX of France, is one of the principal monuments of Gothic architecture in the thirteenth century. The reconstruction of St-Denis, initiated in 1231, brought to completion the work begun and left incomplete by Abbot Suger almost one hundred years before. While Abbot Suger's renovations have been extensively studied, the equally innovative reconstruction of the church a century later has been neglected until now. In the first complete study of the thirteenth-century church, Caroline Astrid Bruzelius analyzes its structure and chronology and places it within the larger context of Gothic and Rayonnant architecture. Bruzelius demonstrates that the thirteenth-century rebuilding of St-Denis not only preserved and harmonized with parts of Suger's earlier building program, but also comprised a number of innovations of astonishing originality. The elevation, adjusted in the east end to incorporate the older parts of the church, introduced a new approach to glass and stone. The glazing of the triforium and the expansion of the transept created a brightness throughout. The crossing, which functioned as a royal necropolis, became a memorial to the Capetian dynasty, strengthening and legitimizing the authority of king and crown. Bruzelius's analysis of the reconstruction, which incorporates both archaeological evidence and documents, has permitted a new understanding of the importance of the church at St-Denis and of Parisian architecture of this period. A central monument in the Rayonnant Gothic style, St-Denis's influence on cathedrals such as Troyes and Strasbourg clearly illustrates the contribution of Paris to the architecture of other areas and to the development of a new aesthetic.

De beeldtaal van de christelijke kunst : geschiedenis van de iconografie.
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ISBN: 9061683475 Year: 2003 Publisher: Nijmegen SUN

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