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At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Županov.
Art and globalization --- Culture and globalization --- Religious art --- Globalization and culture --- Globalization and art --- History --- Sacred art --- Art --- Globalization --- Comparative religion --- Religious art. --- History.
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This collection of essays offers a comparative perspective on religious materiality across the early modern world. Setting out from the premise that artefacts can provide material evidence of the nature of early modern religious practices and beliefs, the volume tests and challenges conventional narratives of change based on textual sources. Religious Materiality in the Early Modern World brings together scholars of Catholic, Protestant, Jewish, Islamic and Buddhist practices from a range of fields, including history, art history, museum curatorship and social anthropology. The result is an unprecedented account of the wealth and diversity of devotional objects and environments, with a strong emphasis on cultural encounters, connections and exchanges.
Christian special devotions --- Christian church history --- anno 1200-1799 --- Religious articles. --- Art religieux --- Objets religieux --- Matérialité --- Aspect religieux --- Aspect religieux. --- Religious art --- Religious articles --- Histoire. --- History. --- Material culture --- Anthropology of religion. --- Religious aspects. --- History of doctrines. --- History --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion --- Sacred art --- Art --- Religion, Material Culture, Early Modern, Global History, Images.
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These essays on late antiquity traverse a territory in which Christian and pagan imagery and practices compete, coexist, and intermingle. The iconography of the most significant late antique ceramic, African Red Slip Ware, is an important and relatively unexploited vehicle for documenting the diversity and interpenetration of late antique cultures. Literary texts and art in other media, particularly mosaics, provide imagery that complement and enhance the messages of the ceramics. Popular entertainments, pagan cults, mythic heroes, beasts, monsters, and biblical visions are themes dealt with on the patrician and popular levels. With interpretive supplements from these diverse realms, it is possible to achieve greater insight into the life, attitudes, and thought of Late Antiquity.
Christian art and symbolism. --- Christian literature, Early --- History and criticism. --- 246 "00/06" --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Christelijke kunst en symbolisme--?"00/06" --- Art et symbolisme chrétiens --- Littérature chrétienne primitive --- Histoire et critique --- Religious art --- Christian art and symbolism --- Symbolism in art --- History and criticism --- Christian literature, Early - History and criticism.
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Art --- anno 1900-1999 --- avant-garde --- religieuze iconografie --- religiositeit --- 20ste eeuw --- kunst --- iconografie --- twintigste eeuw --- religie --- 7.046 --- 246 --- Art, Modern --- -Art and religion --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Religion and art --- Religion --- Modern art --- Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Christelijke kunst en symbolisme --- Themes, motives --- Religious aspects --- Exhibitions --- 7.046 Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Art and religion --- Religious art --- Subjects --- Christian art and symbolism. --- Symbolism in art --- 20ste eeuw.
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This general survey of early Christian baptismal iconography and architecture integrates visual depictions and physical settings of baptism with textual evidence for its practice and purpose. An opening overview of pictorial art (paintings, relief sculpture, mosaics, and ivories) prompts questions about components of the actual ritual which are treated in the literary sources. The study’s second half considers selected baptismal structures, examining the symbolism, purpose, and possible meaning of their spatial design and decorative programs. In most instances the synthesis of documentary and material evidence is enriching and complementary. However, even when physical and textual data diverge, their discontinuity demonstrates the variability of ritual performance and the perennial distinction between ideal and actual practice..
Baptism --- Christian art and symbolism --- Baptisteries. --- Fonts. --- Architecture, Early Christian. --- Architecture and religion --- History --- Christian art and symbolism. --- 265.11 --- 246 "00/06" --- Religion and architecture --- Religion --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Doopsel: instelling --- Christelijke kunst en symbolisme--?"00/06" --- 265.11 Doopsel: instelling --- Architecture, Early Christian --- Baptisteries --- Fonts --- Baptismal fonts --- Church furniture --- Church buildings --- Early Christian architecture --- Baptism - History - Early church, ca 30-600 --- Christian art and symbolism - To 500. --- Architecture and religion - History - To 1500.
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The Reverend Howard Finster (1916-2001) was called the "backwoods William Blake" and the "Andy Warhol of the South," and he is considered the godfather of contemporary American folk and visionary art. This book is the first interpretive analysis of the intertwined artistic and religious significance of Finster's work within the context of the American "outsider art" tradition. Finster began preaching as a teenager in the South in the 1930s. But it was not until he received a revelation from God at the age of sixty that he began to make sacred art. A modern-day Noah who saw his art as a religious crusade to save the world before it was too late, Finster worked around the clock, often subsisting on a diet of peanut butter and instant coffee. He spent the last years of his life feverishly creating his environmental artwork called Paradise Garden and what would ultimately number almost fifty thousand works of "bad and nasty art." This was visionary work that obsessively combined images and text and featured apocalyptic biblical imagery, flying saucers from outer space, and popular cultural icons such as Elvis Presley, Marilyn Monroe, Henry Ford, Mona Lisa, and George Washington. In the 1980s and 90s, he developed cult celebrity status, and he appeared in the Venice Biennale and on the Tonight Show. His work graced the album covers of bands such as R.E.M. and Talking Heads. This book explores the life and religious-artistic significance of Finster and his work from the personal perspective of religion scholar Norman Girardot, friend to Finster and his family during the later years of the artist's life.
Outsider art --- Art and religion --- Folk artists --- Artists --- Art --- Arts in the church --- Religion and art --- Religion --- Naive art --- Religious aspects --- Finster, Howard, --- Finster, William Howard, --- Criticism and interpretation. --- Religion. --- alabama. --- album covers. --- american art. --- apocalypse. --- art criticism. --- art history. --- artist. --- biblical imagery. --- biography. --- cult artist. --- cultural icons. --- divine inspiration. --- elvis presley. --- environmental art. --- eschatology. --- flying saucers. --- folk art. --- george washington. --- henry ford. --- marilyn monroe. --- mona lisa. --- nature. --- nonfiction. --- outer space. --- outsider art. --- paradise garden. --- popular culture. --- religious art. --- religious symbolism. --- rem. --- revelation. --- reverend howard finster. --- sacred art. --- south. --- spirituality. --- talking heads. --- tonight show. --- visionary art.
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Architecture and religion --- Art and religion --- Christian art and symbolism --- Jewish art and symbolism --- Islamic art and symbolism --- Architecture et religion --- Art et religion --- Art et symbolisme chrétiens --- Symbolisme juif --- Symbolisme islamique --- Exhibitions --- Exhibitions. --- Expositions --- -Art and religion --- -Christian art and symbolism --- -Jewish art and symbolism --- -Islamic art and symbolism --- -kunst --- architectuur --- iconologie --- architectuurvoorstellingen --- 7.047 --- Islamic symbolism --- Symbolism, Islamic --- Islamic art --- Islamic arts --- Symbolism --- Symbolism in art --- Jewish symbolism and art --- Jewish art --- Jewish arts --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Christian antiquities --- Church decoration and ornament --- Religion and art --- Religion --- Religion and architecture --- Religious aspects --- Art et symbolisme chrétiens --- kunst
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Christian art and symbolism --- Art, French --- 7.046.3 --- 246 <44> --- -Christian art and symbolism --- -Frankrijk ; religieuze kunst ; 20ste eeuw --- Kerkbouw en beeldhouwkunst ; 20ste eeuw --- Glasschilderkunst ; Frankrijk --- 7.046(44) --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Art, Modern --- French art --- Ecole de Nice (Group of artists) --- Forces nouvelles (Group of artists) --- Nabis (Group of artists) --- Ne pas plier (Group of artists) --- Iconografie: religieuze voorstellingen --- Christelijke kunst en symbolisme--Frankrijk --- Iconografie ; epische, mythologische, religieuze voorstellingen ; Frankrijk --- 7.046.3 Iconografie: religieuze voorstellingen --- Frankrijk ; religieuze kunst ; 20ste eeuw --- Religious art --- Exhibitions --- Symbolism in art --- Christian art and symbolism - France - Modern period, 1500- - Exhibitions --- Art, French - 20th century - Exhibitions
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The magnificent abbey church of St-Denis, rebuilt during the reign of King Louis IX of France, is one of the principal monuments of Gothic architecture in the thirteenth century. The reconstruction of St-Denis, initiated in 1231, brought to completion the work begun and left incomplete by Abbot Suger almost one hundred years before. While Abbot Suger's renovations have been extensively studied, the equally innovative reconstruction of the church a century later has been neglected until now. In the first complete study of the thirteenth-century church, Caroline Astrid Bruzelius analyzes its structure and chronology and places it within the larger context of Gothic and Rayonnant architecture. Bruzelius demonstrates that the thirteenth-century rebuilding of St-Denis not only preserved and harmonized with parts of Suger's earlier building program, but also comprised a number of innovations of astonishing originality. The elevation, adjusted in the east end to incorporate the older parts of the church, introduced a new approach to glass and stone. The glazing of the triforium and the expansion of the transept created a brightness throughout. The crossing, which functioned as a royal necropolis, became a memorial to the Capetian dynasty, strengthening and legitimizing the authority of king and crown. Bruzelius's analysis of the reconstruction, which incorporates both archaeological evidence and documents, has permitted a new understanding of the importance of the church at St-Denis and of Parisian architecture of this period. A central monument in the Rayonnant Gothic style, St-Denis's influence on cathedrals such as Troyes and Strasbourg clearly illustrates the contribution of Paris to the architecture of other areas and to the development of a new aesthetic.
Architecture, Gothic --- -Christian art and symbolism --- -#TCON:ICOMOS --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Gothic architecture --- Church architecture --- Eglise abbatiale de Saint-Denis --- Saint-Denis (France) --- -Buildings, structures, etc --- Christian art and symbolism --- Eglise abbatiale de Saint-Denis (Saint-Denis, France) --- Buildings, structures, etc. --- Eglise abbatiale de Saint-Denis (Saint-Denis, France). --- #TCON:ICOMOS --- Cathédrale Saint-Denis (Saint-Denis, France) --- Basilique de Saint-Denis (Saint-Denis, France) --- Saint-Denis (Abbey church : Saint-Denis, France) --- Saint-Denis (Cathedral : Saint-Denis, France) --- Saint-Denis (Basilica : Saint-Denis, France) --- Abbey Church of Saint-Denis (Saint-Denis, France) --- St. Denys (Abbey church : Saint-Denis, France) --- Église S. Denys (Saint-Denis, France) --- Église de S. Denys (Saint-Denis, France) --- St-Denis (Abbey church : Saint-Denis, France) --- Basilique royale de Saint-Denis (Saint-Denis, France) --- Abbaye de Saint-Denis (Saint-Denis, France)
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7.046.3 --- 246.5 --- Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Iconografie: religieuze voorstellingen --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Themes, motives --- Themes, motives. --- -Iconografie: religieuze voorstellingen --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- 7.046.3 Iconografie: religieuze voorstellingen --- -246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Art, Christian --- -#A9209A --- Iconografie ; christelijke ; geschiedenis --- 7.04(091) --- 696 --- #gsdbA --- Iconografie ; geschiedenis --- Kunstgeschiedenis --- Audiovisual methods --- iconography --- Painting --- #KVHA:Beeldtaal --- #KVHA:Iconografie --- #KVHA:Kunstgeschiedenis --- Religious art --- #A9209A --- #GROL:SEMI-246.5 --- iconografie --- geschiedenis --- Iconography --- History of civilization --- History --- Christian religion --- history [discipline] --- religious art --- Symbolism in art --- Christelijke kunst --- kerkelijke kunst
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